Program

Great is thy faithfulness

Words: Thomas Chisholm (1866–1960); Music: William Runyan (1870–1957); Arranged by: Nathan Carter (1936–2004)

Give me Jesus

            African-American Spiritual, arr. Hall Johnson (1888–1970)

I’ll walk with God

            Words: Paul Francis Webster (1907–1984); Music: Nicholas Brodszky (1905–1958)

Were you there? 

            African-American Spiritual, arr. Harry Thacker Burleigh (1866–1949)

Ride on, King Jesus!

            African-American Spiritual, arr. Hall Johnson (1888–1970)

He’s got the whole world in His hand

             African-American Spiritual, arr. Margaret Bonds (1913–1972)

The Lord’s Prayer

Albert Hay Malotte (1895–1964)

About the Artists

American soprano Janice Chandler-Eteme’s astonishing range of concert literature includes Strauss' Four Last Songs (Reading, Baltimore, Syracuse, Harrisburg and Utah Symphonies; Florida Orchestra, Fort Wayne Philharmonic; Grand Teton and Texas Music Festivals); Philip Glass' Passion of Ramakrishna (Pacific Symphony); Mahler's Second Symphony (San Diego, Baltimore, Nashville, Cincinnati, Colorado and Pacific Symphonies; Rome's Santa Cecilia Orchestra); Haydn's Die Schöpfung (Atlanta, Pittsburgh and Cincinnati Symphonies); Mendelssohn’s Lobgesang Symphony (San Diego Symphony),  Lokumbe's Dear Mrs. Parks (Detroit Symphony) and Can You Hear God Crying? (Chamber Orchestra of Philadelphia); the Brahms Requiem (San Diego, Baltimore, Colorado Symphonies); Mahler's Eighth Symphony (Milwaukee, Grand Rapids, American and Montreal Symphonies); Beethoven #9 (Cleveland Orchestra, New Jersey and Houston Symphonies), Barber's Knoxville:  Summer of 1915 (Festival Miami, Baltimore Symphony), Tippett’s A Child of Our Time (Dallas and Santa Rosa Symphonies) and Britten’s War Requiem (Lincoln and Santa Rosa Symphonies and Evansville Philharmonic).  She remains among the most in-demand sopranos for Gershwin’s Porgy and Bess, in staged performances of the complete work at the Opera de Lyon and Dallas Opera, the Bennett concert version under Jeffrey Tyzik with the Milwaukee, Seattle, Detroit and Vancouver Symphonies, Florida Orchestra and at the Vail Music Festival, and in Andrew Litton’s version with the composer conducting the Colorado Symphony. Other forays into operatic literature have included a first-ever Donna Elvira in Mozart's Don Giovanni with the National Philharmonic.

Ms. Chandler-Eteme first came to international prominence as a favorite of  Robert Shaw and has in the years since collaborated with many renowned and respected conductors, among them  Marin Alsop, James Conlon, Andreas Delfs, Christoph von Dohnányi, Charles Dutoit, Claus Peter Flor, Hans Graf, Jeffrey Kahane, Carlos Kalmar, Raymond Leppard, Jahja Ling, Andrew Litton, Keith Lockhart, David Lockington, Stuart Malina, Peter Oundjian, Christof Perick, Esa-Pekka Salonen, Stefan Sanderling, Vladimir Spivakov, Yuri Temirkanov, Edo de Waart and Hugh Wolff. She has been guest soloist with the Los Angeles and Saint Paul Chamber Orchestras; Boston, NHK (Japan), Phoenix and Kansas City Symphonies; Los Angeles, Hong Kong and Rochester Philharmonics; and Philadelphia Orchestra. Festival invitations include Bard, Grant Park, Aspen, Prague Autumn and Blossom. Ms. Chandler-Eteme's recordings include an inspirational solo disc (Devotions), and the Dvorák Te Deum with Zdenek Mácal and the New Jersey Symphony.  She holds degrees from Oakwood College and Indiana University and has studied with Virginia Zeani, Margaret Harshaw, Ginger Beazley, and Todd Duncan.

​Winner of the 2011 Canadian International Organ Competition and director of Boston Organ Studio, Christian Lane is one of North America’s most accomplished, respected and dynamic concert organists and teachers. Noted for his "gratifying musical maturity, demonstrated through playing that is suave, elegant, and exciting (The American Organist),” he is a frequent recitalist in North America, Europe, and Asia. As founding director of Boston Organ Studio, Christian Lane cultivates the largest private organ studio in the United States. In doing so, he teaches students from all of Boston’s major universities — including Harvard University and Massachusetts Institute of Technology — and leads them in group learning experiences, including annual international study tours. A proponent of new music, he has commissioned and premiered many new works for organ, including significant contributions to the repertoire by Nico Muhly, Carson Cooman, and Graham Gordon Ramsay. Committed to supporting his profession, Mr. Lane has served in several leadership roles within the American Guild of Organists, most notably as national vice-president from 2014–16. Christian Lane holds degrees from Yale University and the Eastman School of Music, and has served in many notable positions, including at Harvard University and Saint Thomas Church Fifth Avenue (New York). In 2018–19, he served as Visiting Professor of Organ at McGill University in Montréal, Canada. Mr. Lane currently serves as Interim Director of Music at Emmanuel Episcopal Church in Baltimore and is represented by Karen McFarlane Artists, Inc. For more information, please visit: www.ChristianLane.com and www.BostonOrganStudio.com